Many apologies for the rather erratic frequency in posting throughout this month and the last. It comes as a result of two-timing (or four, rather) with other sites as a regular contributing writer. And alongside a likely impending move away from an increasingly weary London (all to be revealed soon), calibration of both overall work scheduling and correspondence has been far from finely tuned. So if the phrase ‘coming soon’ has cropped up here more often than usual about any given topic mentioned in passing, please bear with me until ‘soon’ eventually comes. I’ll also try to double-up whenever possible to compensate. In the meantime, here’s a little treat for fellow typophiles who can’t get enough of the eponymous online network and special features such as Gary Hustwit’s Helvetica. I had recommended a book for pre-order amongst other things in the Christmas gift round-up published back in December of last year. Surely enough, March is already here, and it’s time to celebrate the long-awaited first edition publication of The Typographic Desk Reference. To be honest, I’m more than a little excited about this, as I have a slightly if not bizarrely intense font fetish that has persisted since age five (though I suppose that would fit well with the job description).
It also helps if you have a thing for lovingly presented design reference and coffee-table art books. Published by Oak Knoll Books, it was written and designed by entrepreneur Theodore Rosendorf, who began his graphic design career with creating logos back in 1992. He is now the creative head of the Matador branding and communications company based in Decatur, Georgia. With clients as varied as Nintendo, CNN, the CDC and Coca-Cola, Rosendorf is obviously well-positioned to share his wisdom on the detailed world of kerning and foundaries. As such, the TDR has been broken down into the following sections for swift ease of use: ‘Terms (definitions of format, measurements, practice, standards, tools, and industry lingo), Glyphs (list of standard ISO and extended Latin characters, symbols, diacritics, marks, and various forms of typographic furniture), Anatomy & Form (letter stroke parts and the variations of impression and space used in Latin-based writing systems), and Classification & Specimens (historical line with examples of form from blackletter to contemporary sans serif types)’. These four will be preceded by a foreword written by designer and curator Ellen Lupton, who describes the book as ‘the ultimate tool for the type geek’.
Now I just wish I’d been closer to Atlanta’s (context) gallery to be able to attend the book release party on 20th March… The Typographic Desk Reference now available to order from Oak Knoll and Amazon, US$45.
Sarah Badr © MMIX
See also: Arabesque (pieces at random)