Pugh’s filming of his Science Machine rendering in timelapse over several months totals approximately forty hours of working in depth on the elements featured in his landscape, with a screenshot taken every five seconds. Trimming the eighteen-minute total down to seven, it was set to Portishead‘s ‘We Carry On’ track (Third, 2008) for full dramatic effect. A truly incredible thing to behold when you know how much drive it takes to complete an illustration like this for personal enjoyment. And it’s obvious that that enjoyment has translated into Pugh’s work with Vimeo. On the two projects, he has said that ‘before working in-house at Vimeo I provided their login page illustration, which is used throughout the site in many different forms. It was inspired from some other personal illustration work I had just started pursuing and can be found at my store for purchase. I then had the opportunity to work with the staff on-site. Most of my time was spent exploring ideas for the sites interface, new sections, product branding and other features. My life has changed a lot since I started this.’
Unsurprisingly, the largest two prints are already sold-out. However ‘Afloat’ is still available, and it’s well worth checking back later at the The Big Pugh store to see if more becomes available.
Sarah Badr © MMIX
See also: Speed painting (piece at random)